I work primarily on multiple model Brother machines, in this instance the 910. Some of the information provided below may need tweaking for use in other brand KMs. “Automation” of some holding functions may be achieved using slip setting to knit required stitches. Below is the mylar sheet repeat used for my samples swatches. The setup is on working needles 21L, 19R, program for color reverse and twice the height; KCII (cancel end needle selection); first row needle selection from left to right, and with carriage ending on the right the first set of needles selected will be those that knit, the remaining bed will slip. This is opposite to the configuration familiar in holding, where needles out to E are held, those in B or D will knit (Brother needle position jumped the letter C, they are A,B,D,E). In this type of knitting all needles in use on the bed should be cleared with each pass of the carriage.
I have gotten used to keeping programming numbers for locations on mylar around a square to correspond to the lights surrounding the house icon on the 910, and worked with the following 2 options for my test swatches
In the samples below the first set of every other stitch/ black square in the increasing/decreasing angles were slipped on the non selected needles to create/mark the inner purl fold , the second set in the area that does straight knitting tucked on non selected needles to create/mark the knit outer fold. For the latter to occur, the cam buttons need to be switched to tuck <-> for 2 rows, and then back to slip <-> for the remaining knit repeat. Small holes are created at edges of slipped areas as miters are created, as would appear were the fabric created tthrough holding.
A: the alternate fold areas as they appear on the machine during knitting
the fabric after some casual steaming shown on the knit side, the pleating just about doubling on itself
B: with the added knit rows, the swatch before steaming
here is the purl side after some steaming showing the change in overlap
its knit side
both fabrics allowed to “hang”
The look may be varied considerably by changing the sequencing of the number of knit stitches, and the number of plain knit rows between the EON slipped or tucked ones. Electronics facilitate that, and with machines capable of accepting programming of the whole needle bed, there is even greater freedom. The sample above was knit loosely in acrylic, the holes would be less apparent in a tighter knit. If bothersome they may be “avoided” by factoring in “wrapping” if every row of the repeat is drawn rather than every other. With only 60 squares available on the mylar it is possible to go twice as wide and produce fabric width that may suffice for a skirt’s length. However, a problem results not so much in the inner fold slipped rows, but in the outer fold tuck ones. As in nearly any knitting when needles have 2 side by side loops resting on them, these loops will create a float/ ladder, so the tuck rows will essentially behave like the slipped ones as the double loops are dropped rather than anchored on the subsequent pass of the carriage. In the configuration here if the double wide button is used, one way to solve that issue would be to bring consistently the same of either of the 2 non selected needles out to D or E position (still faster than hand selecting repeats by hand for holding). The same repeat redrawn to factor in reduction of the eyelets at edges of slipped areas:
a partial graph showing “automatic wrap” to decrease eyelet size
plain knit rows (blanks on mylar) may be added at the bottom or top of the repeat to change pleat depth
An added alternative for fold lines: create outside crease transferring EON to make a row of eyelets, create inside crease by knitting the desired row double row of with 2 strands of garment yarn. “Automatic” repeat must be adjusted accordingly, whether by re drawing or punching, or using cam settings for the correct stitch formation.
Seaming should be planned on the inner fold of the fabric, depending on whether the purl or knit side is used as the “public” side, the least visible join being one that is grafted ie with kitchener stitch.
The same principles may be applied to punchcard knitting but because the repeat size is 24 stitches the resulting fabric is one suitable for portions of garments/ accessories, in details such as ruffles and edgings. Because the punchcard does not have the option for color reverse, the punched holes would be the white squares above, the black squares the unpunched areas. “Air” knitting helps determine exact needle location required , and to decide which side the first row must be selected prior to actual knitting. The image below shows the start of only one possible partial repeat based on the original mylar repeat above, with dots on yellow ground indicating punched holes, the greyed out areas indicating what might be the markings were color reverse a possibility.
I usually sample my repeats by using hand selection and holding before committing to drawing on mylar or punching holes. The former are hard to get, the latter time consuming to punch, and “repairs” are more difficult when there are that many holes side by side. An even number of rows is required in this technique.