Double Jacquard 2

The Passap Handbook for the Deco by Bernadette A Ernakovich was an excellent guide to exploring the qualities of changing lock settings on the hand, feel, look, and in shape alterations on the original design, a simple triangle, when using them. In knitting any fabric, distinctions need to be made between what is doable vs practical. Japanese machines are less tolerant than Passap for repeated functions on the same needles, and the numbers of stitches and of rows, if attempting to duplicate textures, often need to be adjusted or reduced. Some very interesting fabrics may be achieved by hand changing ribber carriage settings on the Brother KM, which are made far easier on the E 6000 because of  its collection of lock settings in conjunction with arrow keys on the back bed. I amended the “Passap” triangle to the smaller repeat below

electronic

punchcard (40 rows of punched repeat actually required for functional length)

This document DBJtest includes directions on using the design repeat as is, or separated for DBJ work by 2 different methods for both punchcard and electronics: color separations.  Swatch photos are below, this type of exercise shows how the resulting fabric may share a single design, but is changed sometimes surprisingly by changes in ribber settings

the front/knit side

its rear view

Added techniques: for vertical striper backing see subsequent May 14th post

Leave a Reply