Archive for the ‘ribbed stitches’ Category

Vertical striper backing on Brother KM

Tuesday, May 14th, 2013

If one chooses to hand manipulate needle selection on either bed and to bring needles to be knit off out to hold with machine set to slip, one can be in charge of knit stitches to happen wherever one chooses. Automating any of it may speed things up, but comes with built in KM limitations. lili buttons enable every other needle selection on the Brother ribber carriage, behave in the same manner as when using the following card repeat single bed. Both buttons are pushed in, turned toward the lili markings  <-   ->, and the ribber carriage is set to slip in both directions

The usual rule when working with lili <-   ->  is to have an even number of needles in work on the ribber bed. The markings on the corresponding needle tape consist of dashes with spaces between them. For an even number of needles, if the first needle is positioned over a dash, then the last must be positioned over a blank space. The charts below take into consideration duplicate rows, knit first away from, and then back to the color changer, for striping every 2 rows. Dashes and spaces on the needle tape are shown in the yellow row in chart with first needle on a “dash”. Patterning is fixed, beginning with second needle from the left when traveling from left to right, and second needle from the right as when traveling from right to left. This is true whether one starts on a blank or dash needle tape position. Needles (colored squares in repeat) are numbered reflecting the sequence in which they are knit as the ribber carriage moves in the direction of arrows

If an odd number of needles is in use, the same needles will slip/knit respectively. Grey squares represent the needle location for which the ribber carriage thinks it is selecting, including the missing needle location to keep the number of stitches even. Unless settings are changed patterning is fixed on the same stitches.

To create vertical stripes using slipstitch, this would need to be the repeat, not “automatically” possible on the ribber

“Fooling the machine” into thinking an even number of needles are in work by bringing an extra needle in work carriage side on left, the knitting happens on the needles represented by yellow squares, but the carriage thinks it is knitting the pink repeat

To knit: *COL: color 1 (orange) knits as set up for 2 rows. Before knitting with color 2 (green), COL, bring an extra needle into work before moving from left to right. COR: drop extra empty needle on left OOW, knit to left returning to color changer, change colors* repeat process throughout. Check regularly to make sure that the empty needle on the ribber as you bring it in/out of work does not pick up yarn and become an unintended increase. Having an extra needle in work on both sides of the fabric on the main bed will insure end stitches knit and side edges are “clean”

The fabric swatch illustrates the vertical striping. The operator error = horizontal stripe could become a design feature. The thin yarn clearly shows the lengthening of slipped stitches, and why some DBJ fabrics are referred to as “long stitch” ones, with color bleed or grin through from colors traveling behind them. The plain rib at the bottom is significantly wider than areas where slipstitch is used, an issue if plain rib is to be combined with DBJ created with slipped stitches. On the knit side in this instance, the fabric is knit stripes. When using the color changer starting with waste yarn and testing yarns, gives one the opportunity to make any adjustments necessary including on occasion doing a bit of metal bending where needed.

this backing was used in one of the swatch segments seen in my May 4th post

Double jacquard1

Sunday, April 21st, 2013

Because of recent changes in my life, I may be in the position of attempting to explain to some new knitters how DBJ “works”, and to offer them some suggestions on managing  the making of it. Since the machine I will be involved with is a Brother electronic specifically, I am gathering notes that are pertinent to that brand. I thought I would share some of my working notes here. The set below was gathered more than 2 decades ago, so I cannot add a specific bibliography, and information that may be gleaned from manuals is not included. This is the start of an ongoing series: 1.some DBJ rules for 2 color work, Brother machines, some adjustments need be made for more colors or for use on other brand KMs

knit slowly, watching edge stitches to ensure that they are knitting off properly. If they are not, hang the side weights on the work, and move them up every 20-30 rows

clear the end stitches on every row, be especially watchful in wide pieces, failure to do so may cause mis patterning or dropped stitches at edges

listen for the click when changing colors. On brother machines the carriage must be  taken far enough to the left for the click to occur, lining up the connecting plate for the yarn change. If color is changed without going far enough, you may either knit with the same yarn or no yarn

thread all four yarn holders, then if the wrong button is pressed you will only knit a row in the wrong color instead of dropping your work to the floor

check your yarn change before you knit each row for correct color or the possibility of 2 yarns traveling together

weigh the work evenly

be certain selection row is in correct direction (with pattern locked on punchcard), or you may end up with stripes rather than a pattern design

if you need to stop work , leave with carriage on right, it makes it easier to identify which color was last used in your sequence

do not use fully fashioned decreases as this affects the pattern near the edge stitches

reduce weights to correspond tho the number of needles in use when decreasing

work multiple decreases ie at underarms with carriage on the right, this way both sides may be shaped at once using the main yarn on right, the next color on left, thus avoiding long floats

if the design is not an all over one, continue in Jacquard for remainder of fabric, using a repeat that has 2 rows marked/punched, 2 rows un marked/punched throughout

ribs in single strands of garment yarn may be foo soft or wide, for 1X1 ribs try adding an extra strand of yarn. When completed, pick up the heel of the adjacent stitches to fill in empty needles, and knit 2 circular rows before continuing in jacquard

2X2 ribs are better suited to single strands of yarn; at the top of the rib bring the empty needles into work, rack to the left and knit 2 circular rows, rack to the right and continue in jacquard

full needle ribs are usually wider than jacquard, as an alternative the piece could be started on waste knitting, and rehung on fewer stitches, then in turn knitting the rib

the lili buttons represent an every other needle set up, so an even number of needles is required; the needle position indicators on the  ribber tape and the corresponding space between them help track pairs/ even numbers of needles in work

racking handle on P: the knit and purl needles are point to point, directly opposite each other, on H the purl needles are are halfway between each pair of needles on the opposite bed, and the latter is most often the basic needle arrangement for doouble jacquard; check needle alignment before knitting planned fabric to avoid needle damage, etc

vertical striper backing on brother kms is possible, but needs a bit of added manipulation and its own specific directions for needle set up

for thicker fabrics the needle arrangement on ribber may be for 1X1 rib, 1X3, or other configuration, pitch on P. The larger the number of needles on either bed, the closer the tension on that bed to the tension suitable for that yarn in plain stocking stitch. In this instance, the ribber tension is tightened up by one or 2 numbers. If the ribber needles are in ever groups ie 2X2, 4X4, 4X2, etc, then the lili setting may be used. This sometimes helps if the effect on the knit side tend to show noticeable vertical lines along the sides/length of the stitches created on the ribber.

Lace off KM, and yes I rib!

Saturday, March 31st, 2012

A few hours short of April Fool’s day the shawl is off the KM. This is it in its unblocked state. I am headed for the west coast for more than a week so any “surprises”  possibly revealed in blocking will wait until then. Perhaps I will also be “recovered” from the experience enough to work on a second piece, in a different color.  I tend to make one of a kind or limited edition items. So much time is spent in working out the issues in the pieces, that it is great to be able to use the patterns more than once.

On a totally different topic brioche patterned stitches have been discussed on one of the lists I belong to. Here is food for thought for those of you that follow me until I return. I actually resurrected my brother ribber from mothballs to double check my information (should be doing laundry …). The card is used double length throughout. Cast on in your favorite method.  ”Memorize” first row of pattern, set card to advance EOR, set KC to tuck in both directions, set RC (ribber carriage) for normal knitting throughout. This is a racked pattern. The numbers to the right of the card are for the racking position on each visible row (takes into consideration your eyes can view card 7 rows above card reader teeth). These markings will help prevent errors in long pieces or avoid confusion if knitting is interrupted for any length of time. The fabric is reversible, creating a textured checkerboard. For added interest and a color version, change color every 2 rows. I used this design in a line of “manly scarves” years ago. The repeat may be adapted for use on any KM.

a 2 color reversible relative of the card, showing both sides of fabric

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