For any of you that had been following my posts on non machine knitting information and links, I am adding a reminder that they have migrated to Pinterest, where I have recently added a board on a “touch of technology” that includes information that may be of interest to those interested in hacks and e textiles.
A recent forum post brought up the question that rises periodically on how to reduce colors in photographs, scans, etc. so as to be able to in turn use the image in a low resolution medium such as knit. There are very many ways to achieve this. The post had specifically asked for low cost or free alternatives using Mac software, so I began playing, and compiled the following document detailing some of my process, addressing large scale, non repetitive images in Color reductions for knitting.The document samples were simple, straightforward conversions, with no further “tweaking”.
Mac Os: iPhoto, Preview, further software downloads:
99 cents One bit Camera
A tutorial for owners of Photoshop
With thanks to my test subjects: Rocco
A new/different direction from other neck pieces, my first with a “story” open to interpretation; it is composed of coiled, knit, crocheted, and stitched telephone and magnet copper wire, assorted beads, a couple of acupuncture needle covers, the cut/ partially frayed “heart” of an unfinished spirit doll, and a screw closure. It is also considerably more of a “burden” than the feather weight magnet wire cousins, weighs in at 3.5 oz./88 gms.
In anticipation of participating in the Lowell show, and in the upcoming art to wear show at Cambridge Artists Cooperative in the fall, I have returned to fabricating wire collars. In writing updated artist statements I am again considering why fiber, certainly why wire. I continue to enjoy the surprise and problems in each new piece. Curiosity, exploring and experimentation temper the repetition of production.
Monofilament, fishing lines, wire, have a mind and personality of their own at the opposite pole of friendly yarn such as standard gauge wool. Attempting to work with them and their in-betweens makes the playground that much larger.
One present collar using both wire and vinyl:
the “knit”, convex side out
the”purl”, concave reverse side
While procrastinating returning to production knitting for the spring season I found myself inspired by Judy Perez’s Fiesta ornaments and have made my first attempts at metal embossing, adding them as elements in my postcard sized fabric collages, which in turn combine knits, needle felting, needlework techniques, and objects from a stash of accumulated “stuff’. Here are 2 of the results: