I am working on updating my flickr photostream albums, including “all things holding” and will be revisiting posts on this topic over the next few weeks, possibly adding edits.

There are times in knitting when math becomes a necessity. With online libraries, tools, and fairly intuitive software, drafting angles and shapes is now much easier. I will be teaching a class that includes miters and spirals at a seminar next month, leading me to revisiting the topic. Most published pattern instructions will give starting carriage locations, but shapes may be constructed counter clockwise or clockwise depending on preference. With understanding of how the shapes are formed and stacked, they may in turn be automated (depending on their size and the type of km) using the slip stitch setting. Stitches that are to be knit on each row are programmed as pixels, black squares, or punched holes.

Miter shaping may occur on side or in center of each triangular shape; a minimum of 2 knit rows usually occur at designated spots. Adding more knit rows and playing with angles of triangles will create ruffling effects, other angular shapes, pleats, and more. I have returned to using Mac Numbers, their shapes and charts to generate most of the images below. Here the *colored areas* represent *knit stitches*, white *negative *(white)* spaces stitches in hold*. *Red* lines represent *all knit row(s)*/ spots for seaming at top and bottom of sequences. Seaming is easiest when done by joining all knit rows. Stitches are always brought into hold opposite the carriage side, returned to work on carriage side. In shaping guide, COL= carriage on left, COR= carriage on right.

knitting each segment

**Yellow** triangle **segment**: bring all needles out to hold, push them back into work on the carriage side at the determined rate until all needles are back in work. **Green** triangle **segment**: with all the needles in work, begin to bring stitches into hold opposite the carriage at the determined rate until all the needles are in hold.

If seaming is desired in miter shaping with resulting eyelets at sides of triangle, the full wedge is split between the top (yellow segment) and the bottom of the piece (green segment). Knitting always starts with at least one or 2 rows of knitting (depending on whether the finished shape is to have a grafted seam. For the **full** **wedge**: * **yellow** **segment**, bring all needles out to hold, push them back into work on the carriage side at the determined rate until all needles are back in work.** **Reverse shaping with **green segment:** with all the needles in work, begin to bring stitches into hold opposite the carriage at the determined rate until all the needles are in hold. **End** with **knit** rows (**red line**) across all stitches*. Repeat from * to * for desired number of full segments, end at top with a yellow segment if needed, followed with knit row(s) (red line) before binding off or seaming.

shaping with resulting eyelets at sides of triangle: the final shape CORthe knitting sequence with top/bottom 1/2 triangle segments shown

For miter with shaping and resulting eyelets at center of triangle: begin with all **knit** row(s) (**red** **line**) at the **start**. To shape** full wedge: *****green segment** is worked** **bringing stitches into hold opposite the carriage at the determined rate until all the needles are in hold. Shaping is next reversed with **yellow** **segment**, pushing needles back at the determined rate until all needles are returned to work. **End** with all **knit** rows (**red line**) *. The sides of this miter are all knit rows, an easier place to seam/ graft joins if needed.

shaping with resulting eyelets at center of triangle: the final shape CORthe knitting sequence

a tiny test

shaping at side shaping at center

In the following images the red or blue lines indicate seams or joins

segments composing a square shape

adding squares or rectangles to alter the square

adding triangular segments: hexagonexpanding it with rectangles, shaping at sides

shaping at centergoing 3D: triangular pocket with point at center

combining shapes: this one is often seen in tams (hats); bottom shaping is on only one side, at the top it occurs on both sides

adding rectangles or squares to alter shape

bringing needles out to hold opposite carriage

**Spiral** stack **1**/** green** **full triangle** : knit row (s), *with all the needles in work begin to bring stitches into hold opposite the carriage at the determined rate until all the needles are in hold, end with all **knit** row(s) (**red line**).

**Spiral** stack **2**/ **y****ellow** **full triangle**: knit row (s), *bring all needles out to hold, push them back into work on the carriage side at the determined rate until all needles are back in work, end with all **knit** row(s) (**red line**).

If the object is to construct a circular shape, the greater the number of panels, the smoother the outer edge of the piece . Some of the pie-bilities:

In all instances above the radius and therefore 2 sides of each wedge remain equal in size, and therefore are composed of the same number of stitches. The triangle knit to achieve these shapes are isosceles triangles, where 2 of 3 sides are equal in length and in this case, number of stitches. The 2 equal sides are usually referred as legs, the remaining one as the base. The 2 base angles are equal as well. The remaining angle is the vertex one. In knitting, this will be the pivot point for the wedges, the center point of the “pie” shape. In the illustrations below the vertex angles are marked by blue dots. Its angle value is the first represented in the numbers immediately below each shape, with the other 2 numbers indicating the remaining, equal 2 angles. The sum of all 3 should equal 180 degrees.Taking it to a shape: octagon (half the total # of wedges shown). In colored shapes spiral, stacking equal triangles is shown on left; full triangle, divided into 2 segment shaping for miter on right.

Oh, yes, the math! The desired shape may be drawn to scale using any number of tools. Wedges may in turn be shaped following the scale drawing on any charting device such as knit-leaders, or stitches and rows required may be calculated on actual full drawing measurements. In knitting, the equal sides (*AC*, *AB*) of the triangles are formed by *stitches*, the height of the triangle (*CB*) by *rows*. If finished size matters, accurate gauge is required. One approach to calculating the base (CB) is to think of the whole shape as a complete circle, in this case divided into 8 “pie” wedges, with congruent sides (radius) measuring 10 inches each. To find the circumference of the circle, multiply the diameter (20) inches by pi 3.14 = the total in this case, of 62.8, rounded off to 63. Divide that number by the number of sections (8) = 7.85, rounded off to 8 inches (rows). If stitch gauge is 6 stitches and 8 rows per inch, each triangle would be 60 stitches wide, 64 rows high. Holding happens every other row, opposite the carriage, so total number of rows is divided by 2 = 32 for knitting a spiral. The stitches are distributed along one edge over the total 64 rows in height. The goal is to reduce shape down to the next to last group, followed by two rows knit over all the stitches at the end of each section. This will cause a small hole at the center of each completed pie due to extra rows knit. For a miter 2 triangular shapes are required for each wedge, so holding sequences are recalculated with shaping now occurring over 16 rows for knitting a miter.

An online calculator is available to help calculate the number of stitches brought into hold opposite the carriage or into work on carriage side, sequence preference should be tested on swatches where gauge is significant

Magic formula (X represents times)

In the photo below I chose to start with all the needles out to hold, pushing them back into work across the knit for the spiral. For the miter again, I began with all needles in hold, pushing back the required needles into work; for the top half of each wedge needles were returned to hold opposite the carriage at the same rate, forming the upper half of the “pie slice”. The swatch is *not* worked at the same rate as shapes calculated above. It is shown on its purl side with color changes to highlight the intersections where wedges begin to repeat. The yarns used are random acrylics, in different weights.

A previous post on short row knitting from with links to other online sources http://alessandrina.com/2013/12/18/holding-stitches-short-rows/. A category search in my blog roll for miters and spirals will link to blog posts including pies: http://alessandrina.com/2011/06/18/knitting-math-and-pies1/ http://alessandrina.com/2011/06/22/back-to-that-pie-a-bit-of-holding/ breaking and mixing up pie wedges: http://alessandrina.com/2014/07/21/miters-and-spirals-visualizing-charting-and-more-3/ . A garter bar short row trim: http://alessandrina.com/2013/02/28/garter-bar-short-row-trim/. Charting shapes: using Gimp and Mac Numbers: http://alessandrina.com/2014/07/14/miters-and-spirals-visualizing-charting-and-more-1/ . Executable charts, shapes, automating with slip stitch: http://alessandrina.com/2014/02/24/holdingshort-rows-hand-tech-to-chart-to-automating-with-slip-stitch-1/ http://alessandrina.com/2014/02/20/wisteria-cousin-revisited-holding-using-slip-stitch/ http://alessandrina.com/2013/01/21/automating-pleating/ http://alessandrina.com/2013/12/28/short-rows_-balls-tams-3d-rounds/ http://alessandrina.com/2015/09/07/a-tale-of-2-donuts/ http://alessandrina.com/2011/03/29/lace-meets-hold-and-goes-round/ http://alessandrina.com/2011/03/29/the-doilies/