It is also possible to create solid color patterns on the purl side on a striped ground by at first transferring all stitches down to the ribber, then, in turn, using slip stitch selection on the top bed to choose only the stitches that will be manipulated on the main bed. A similar repeat worked on … Continue reading Slip stitch patterns with hand transferred stitches, double bed
I have probably owned this accessory since the early 90s. After making a faint-hearted attempt at using it at the time and failing, it has been stored in the original box in the interim and just came out of retirement. The multiple languages operating manual for its use may be downloaded from http://machineknittingetc.com/brother-ka7100-ka8300-transfer-carriage-user-guide.html. There are … Continue reading Brother shadow lace, rib transfer carriage
This post originally included samples worked using needles on the ribber as well, now in another in progress post: Slip stitch patterns with hand transferred stitches, double bed An earlier post with a range of single-color experiments: A hand-knit consult to machine knit slip stitch The inspiration source for the topic here was found on Pinterest Adapting … Continue reading Slip stitch patterns with hand transferred stitches, single bed
Very little has been written on this topic. The easiest method to produce the eyelet and fair isle combination is to create ladders in spaces between vertical FI motifs. The end needle selection is canceled. The swatches show the transitions in the development of the final design Susanna in her Machine Knitter’s Guide offers a … Continue reading Lace meets FI on Brother machines
Studio and Toyota machines could produce this type of stitch easily. Many efforts have been made over the years to produce the same fabric on Passap and Brother. I was asked via a blog comment in my previous post #1 on this topic about creating a single color all-over pile on the Passap machine and … Continue reading Pile_carpet stitch knitting on Passap and Brother KMs 3
This image sparked my search for a method to develop a DIY pattern for a similar lace It is taken from a video by Knitlabo, a wonderful resource for both Brother and Studio machine knitting. My first goal was to work with a recurring triangular motif in a brick repeat. The same repeat was also … Continue reading A lace quest
Several years ago, this punchcard was shared on Ravelry as one that was problematic in execution on an electronic model using Ayabthe supposed related swatch pictured in the publication At the time, I made a long, convoluted effort to produce the fabric. I am returning to the topic and comparing 2 cards in this post, the … Continue reading Lace meets weaving on Brother Machines 1
Lace patterns for drop stitch: cast on as preferred, transfer MB stitches to ribber, where all stitches will be knit on every row. The main bed will be knitting the stitches that will be dropped (lace carriage will not be used), cancel end needle selection, program your repeat, push in both part buttons. As the … Continue reading Unconventional uses for punchcards 3: lace in rib
The main difference between the 2 stitch types is that in tuck stitch the strand of yarn on the non-selected needle is held in the hook of the needle forming a loop, while in slip stitch the strand of yarn bypasses the non-selected needles as the row is knit, forming floats between stitches Symbols commonly … Continue reading Single bed tuck and slip stitch fabrics 1
My recent blog post on adapting lace edgings from published sources containing studio punchcard patterns led me back to reviewing a blog post from 2013, Large eyelet lace, hand transferred (or not) that included a hand technique and an automated mesh pattern. Since then I have moved beyond mylar sheets on the 910 or using … Continue reading Revisiting large eyelet lace, hand transferred (or not)