During my early morning surfing I recently came across a pattern knit as fair isle that I thought might work well in slip stitch
the first sample knit side
its purl side, showing the typical slip “floats”
The light color is a 2/8 wool, the green a rayon/nylon blend, thinner in weight; the rayon flattened considerably after steaming (something to consider if maximum texture is the desired aim); the first wide band of green is 32 rows high (full repeat), the narrower stripes occur with changes every 16 rows. Slip stitch striping can vary a pattern greatly, sometimes more successfully than others. My sample was knit on a 910, using color reverse. In the first repeat chart the white squares are intended to be what knits, the dark grey the slipped areas (Passap use same repeat, tech 129, each black square is a slipped stitch with lock set to LX rather than KX). This repeat is too wide as is for use on a punchcard, but were it usable, all but the dark squares would be punched.
Obvious color changes may be every 32 rows, every 16, every 8, every 4, 2 followed by 6, and more. The pattern may also be knit with same color rotation, but beginning striping sequences on a different row. The purl side of this particular pattern helps make it easy to track location of color changes, but with many slip patterns the same may not be so obvious, and good note keeping of sequences and starting rows for the design can be a time saver when one wants to reproduce particular pleasing or successful “random” segments.
the top section here begins with first design row KC–>
these are done with beginning the pattern on row 2, KC<–
swatch is not pressed, resulting in more pronounced texture
Re_editing the repeat can help change/ plan the areas for solid color blocks to occur on the knit side. Slipped stitches become elongated ones on the front, knit side of the fabric, and the color they assume has to do with the last row knit before the needles with that color yarn. If a color changer is in use, the repeats must be an even rows in height. The repeat below is a variation of the one above. The slipped stitches are numbered, with the assumption that in this case the fabric will be all one color, or with changes at the start and end of each repeat (now 16 rows)
Below are some of the options for color changes, with slip stitch areas renumbered as any of the colors create knit stitches on the face of the fabric, bar at bottom of chart indicates starting color prior to first needle selection row toward color changer. Only 2 colors are in use in the actual knitting, the other color blocks in slipped areas are to help visualize what stitches are being slipped and for how many rows, in each color
Personal fabric and surface preferences may vary greatly between individuals. The swatch below shows variations of above, including some dropped stitches that were “missed”
My personal preference is for the top of the swatch, where the difference in yarn weight also results in an interesting dimensional effect
a couple of the many sources on this particular stitch type