WORK IN PROGRESS
My last post, written prior to this update, revisiting-gimp-in-knit-design
I lean toward experimentation as a way of learning and finding what steps work for me. These notes are not intended as full tutorials, they simply share some of my explorations. There now are excellent videos online, the amount of information can be overwhelming and tends to work with many more colors and significantly higher resolution images that those usually suitable for knitting, where images are often binary and small scale. I add to these work in progress notes as I have time, so the information in them will evolve over time with editing and at times rethinking the process used.
A new manual and program update for Mac OS are available (2.10.14 in 2020). The program launches in an all in one dark window with grey tool icons. As I become aware of any other changes I will attempt to share them. My use of the program is limited to working with imagery for knits and for my blog, my progress doing so up to now can be viewed via a category search. A lengthy tutorial on using 2.1 in Windows computers for beginners by Michael Davies posted a year ago but new to me may be found on youtube.
Mac users are included in the latest version update, will need to get around security settings for installing software from non-Apple approved developers. Long-time users will face a very different appearance upon launching the program version 2.10, in single window displayIt is possible to switch to a lighter theme color by going to system preferences/ resourcesI actually found I have been working long enough in the dark theme to prefer it and restored it. These notes were taken when I first downloaded the program: images being processed appeared as shown below Previously clicking on the red X dot would ask if the image was to be discarded, and on the acknowledgment of the fact, the program would continue to stay open,now that same action will quit the program completely. Clicking on the X beside the image will bring up the discard option, quitting the image and work on it as opposed to quitting the program. It is possible to work on multiple images at the same time. Drag and drop superimpose the new image fixed onto the center of first. Choose file open, and processing multiple images is now available, with the ability to toggle between them. Working on 2 images again, copy the smaller image on its own screen,return to the screen with the larger image intended to be in the background, paste the smaller image for a floating selection that can be anchored anywhere on the ground, edit/ undo may be used repeatedly if need be, and done
Discard each image individually to keep the program running, use hide command if the larger update window is in your way or distracting,click on the gimp icon again to restore the view.
There is now an integrated search function, click on / on your keyboard, and the search window appears
Experimenting with more changes to defaults: adjusted image size to start with. The default width and height is full HD resolution. Setting @300 PPI is best for printing, can be brought down for simple pixel work. The problem with doing that is that if a high-resolution image is then loaded into gimp, the result is not workable. I take photos of my swatches in high res, scale them in GIMP prior to publishing them on my blog, the greyscale result at the bottom represents one such load for processing.
Color settings may also be changed. Since Ayab and imag2track do better with 8-bit integer color processing the new test defaults for me are shown below, which will mean only indexed images will have a colormap. Gamma changes automatically with bit adjustments, ie. 32-bit color floating point will adjust to linear light gamma, is the highest resolution possible.
A word of caution: after choosing the 8-bit option and not liking the quality of my imported images, I tried restoring the original 32 bit floating one without success even after saving, quitting the program and restarting it several times. I then chose to reinstall the program and to continue working in the default settings for now. The download turned out to be for version 2.10.14, this is the new default appearance after launch on my computer
I use both Ayab and img2track, depending on the desired fabric outcome. There are active FB groups discussing the use of Gimp and both download programs as well as activity on Ravelry, where questions on tips and techniques become threads and have the great benefit of contributions by both Adrienne Hunter and Tanya Cunningham. Knowledge shared by both has rescued me out of many sticky or problem spots in my own knitting.
In reference to Ayab, in one such thread on multiple colors per row knits, it was mentioned that color separations for 3 or more colors are done in shades of grey, and in terms of technical details “You need a pattern image which is 8-bit greyscale, each color is coded in a range of the 8bit values. So for 4 colors, it would be 0-63 color a; 64-127 color b; 128-195 color c; 196-255 color d. It seems to be OK to give the image some color, so long as the gray component of the colors divides up as given.”
As a matter of personal preference, I like to work with color in my repeats. The specific placement of each of the 3 (or more colors) can be planned in the color changer so that the yarn matches the corresponding color in the chart. That led to thinking about color numbers, shades of grey, and saving palettes.
Binary images have only 2 possible intensity values, normally displayed as black and white with values of either 1 or 255 for white, and often 0 for black. Thresholding a greyscale or colored image can be used to separate the image from the ground, the color object is often considered white, the rest (black) is the ground. That convention may have led to the selection of white as color one in automatic separations such as the KRC Japanese one, where white is selected first. A greyscale or color image a pixel can take on any value between 0 and 255. Searching for numbers to match greyscale shades:
Of note, the assigned numerical values are different depending on the source. The indexing options remain unchanged. These are results from reducing the number of colors used in each of the above. The results could be saved as .pngs, each of those opened and the dropper tool used to select colors and use them in turn in new canvases where the motif is being designed. What about saving the color information as easy access palettes? Doing so in this release is fairly intuitive.The palette options include Generate optimum palette for the best possible palette with a default maximum number of 256 colors (classic GIF format). You can reduce this Maximum Number of Colors, although this may create unwanted effects (color banding) on smooth transitions. You may be able to lessen the unwanted effects by using dithering, in image processing, however, in most knitting patterns the color may be limited to 4 or under when working in multiple colors per row. Use custom palette: this button lets you select a custom palette from a list. The number of colors is indicated for each palette.
Useful information on the indexed palette and palette editor.
When attempting to create and export new palettes in order to make them available in the future, an error message may be received. A folder needs to be activated for the saves to occur. Both options below the writable folder heading should be checked, the red dot will then turn to green. To make the necessary change: folders may be found in system preferences at the bottom of the default listClick on the + to the left of the icon to expand the view of the available choices
To import a new palette, select windows/dockable items/ palettes in the top menu or select the option after right mouse click in the work area To obtain a 6 color palette in the grey range, I reduced a greyscale image to 6 indexed colors and then used the settings below for the import after right-clicking in the palette dialog and choosing import palette from the resulting menu.The opportunity is there for editing the palette, it is the first item in the palettes dialogue. To use the palette double click on your chosen one, a new palette editor dialogue opens upSelecting any one of the colors will automatically change the foreground color for working on the image ie choosing color 3 of the 6Switch the foreground and background-position and select an added color to make both of those 2 colors available while workingUsing this feature with palettes containing multiple colors makes far quicker work when designing in RGB. Set pencil to desired pixel size, click on the desired color in any sequence to choose it, and then click again to place it on the working canvasRight-click on any of the palette icons, for this dialogue menuWhile experimenting I reached a point at which my pencil refused to draw in anything but gradient shades without my having changed any settings. The problem went away when I “found” the fade length and set it to 0. So much that is new, that it’s hard to know what is operator error and what may be a “bug”Another tool dialogue option to explore for ease in coloring pixels in specific palette colors The Windows version of the software has had several small updates not available on the Mac yet. The latest was for 2.10.18 announced on 2-24-2020. As a result, searching for tutorials may provide instructions, views, and options not yet available to us, for example, transform dialogue in WindowsA sample in Mac, with the rotate dialogue which now appears as a separate window copied and pasted on the upper right of the image belowand another view from the image menu selection in the top dialogueSymmetry is now an option for drawing in repeat in a variety of ways, making mirroring, tiling, and more possible while creating the design. My experiments were on 40X40 files, magnified X800, with the grid in view. Some of the available choices: Some quick doodles using a single-pixel brush note the lags in some of the mirroring
Other than drawing freehand I have had no luck working predictably with larger designs, even if saved as brushes or patterns. One problem is that the pivot point is 2 pixels in each direction, not one, so repeats with single stitches/rows along their center axis would still need editing. In a previous attempt to explain mirroring in a forum post, I used Passap 1273 as my sample pattern. Copying and pasting the image on a larger canvas leaves one unable to change the direction of the newly pasted image alone, the whole potential repeat is affected by the command. The image in question here was 16 pixels wide by 16 high, the goal to mirror it to a 32 by 32 repeat.
There was no problem with transforming the original and pasting each in place, here it is also scaled twice as high and wide
tiling is compared for both the original repeat and the same scaled X2, with both the final tiled images 128 pixels in width and heightThe best I could achieve with symmetry was a relative with 3 out of 4 motifs placed mirrored in the desired direction, but also off-center and in need of editing Freehand drawing the full repeat as given using symmetry is doable, but I found it a bit dizzying. Copy and paste around the central axis is not a solution. A compromise could be reached by freehand drawing for a different, final image which can be easy and immediate to produce. Some of the transitions: The mandala option reminds me of spirograph drawings, the number of points can easily be changed Tiling may be useful in brick or offset repeats, but my limited experiments did not produce anything worth saving or sharing.
Text: any font installed in your computer can be made available by going to preferences once more, clicking on both options in the font folder, green light on= you are set to goI have no idea yet whether symbols can be laid out on a custom grid so as to create a whole chart using them, but can imagine that large versions of symbols, webdings and wingdings could potentially become pattern repeats. A very quick repeat from a webding 40 stitches wide