Lace meets tuck on Brother Machines

Some DIY variations in combining both stitch types:
Combining tuck stitches with lace 2 (automating them) 3/15
Combining tuck stitches with lace 1 3/15
Large diagonal eyelet lace, (a similar card and fabric, not tuck setting) 6/12
Large scale mesh, breaking rules 4/11 explains the use of punch card below
Tuck stitch combination fabrics 5/19
To execute this knit fabric, the lace carriage is set for normal lace, the knit carriage selects a pattern (KCI) and both tuck buttons are depressed. Each carriage works in sequences of 4 passes/rows throughout. The self-drawn card does not include familiar arrows on the left-hand side familiar to users of factory published lace cards Working out an electronic repeat: the punchcard repeat is on the bottom, the expanded electronic one on top, yellow cells highlight rows with tuck stitches In electronic machines, the first preselection row may be done with the knit carriage moving from left to right or the lace carriage moving from right to left, with either carriage moving toward its usual starting position. The knit carriage is set to KCI for end needle selection. Before the LC begins to move from the left the first and last needle will have been preselected, push them back to the B position. Continue to do the same if any end needles are selected just prior to a transfer row as you continue to knit. Each carriage makes 4 passes throughout the piece. The bottom row of eyelets shows the “standard” size eyelets that follow single transfers, illustrating the change in size with this technique.  With the proper tension, transferring is not a problem. I sampled on a random number of stitches. For cleaner edges, a border where no transfers occur for 2-3 stitches can be planned in programming the final piece.
Returning to Volume 4, here is a combination of lace and tuck repeat that appealed to me. I am repeating a process akin to that used in programming the woven lace samples. In this card, lace transfers are first to the left, then to the right, that sequence needs to be preserved. Colored pixels need to be used everywhere a punched hole is represented. The lace portion of the card will not tolerate color reversal. The published full repeat is for a brick configuration, I sampled the top half.  The actions of the 2 carriages on the electronic, the repeat prior to mirroring mirrored for use on the 930  The texture is more apparent on the purl side, the top and bottom edges could be coaxed into a wavy shape due to the gathering up of the knit by the tuck diamond shapes The chart for the brick configuration: 

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