As our knitting experience grows, there are likely to be some techniques that engage us and others we choose to avoid completely if possible. Cables are in the latter category for me. I have hand-knit complicated pieces using them but dislike knitting them on the machine immensely. That said, I am periodically drawn to revisiting … Continue reading Visualizing knit cables 3_ using Numbers and Gimp
Though this post presents cable movements in colors using multiple stitches, the resulting repeats may be knit by hand or at times on the machines in single color textures and the number of stitches in any column may be reduced or expanded, keeping the direction of the cable crossings the same. Though DIY charting may … Continue reading Visualizing knit cables in color 2_ using Numbers and Gimp
Previous posts with some related information: A lace mesh series: using GIMP 8/17 To mesh or not to mesh 1 5/11 To mesh or not to mesh 2 5/11 To mesh or not to mesh 3 5/11 To mesh or not to mesh 4 5/11 To mesh or not to mesh 5 7/17 a collection … Continue reading To mesh or not to mesh 9: more on mock filet design
WORK IN PROGRESS This document is created using Mac Pages and Numbers, stitch illustrations have been borrowed from magazines and manuals long out of print and edited, the symbols and charts are self-drawn. Using shapes in Numbers now makes the process of creating DIY symbols in the spreadsheet significantly easier than in my early Excel … Continue reading Hand to machine, symbols 6
Over the years I have written on an assortment of methods for color separation in knits including DBJ, a summary post with links to previous shares: dbj-and-color-separations-some-previous-posts-links/ and in the-start-of-a-blog-index/ A variety of textures and patterns may be used to achieve fabrics that are very different in appearance, using a very simple pattern along with cam … Continue reading DAK DBJ color separations, templates, other software
Questions regularly turn up asking what software we use as individuals to design repeats for our knitting. Up to this point, I have worked exclusively on a Mac unless downloading to my Passap with Wincrea, an ancient laptop, and as old a version of Windows. I have been a Gimp user for eons, it is … Continue reading ArahPaint meets Gimp in knit design 1
Previous related posts: 2 color ribbed brioche stitch on Brother knitting machine 1 Geometric shapes on ribber fabrics with tuck stitches 1 Geometric shapes on ribber fabrics with tuck stitches 2; knitting with 4 carriages The last post on using Gimp: 2021/07/18/gimp-update-for-mac-2/ The method for color separation used for mosaics The sources of inspiration from … Continue reading Geometric shapes on ribber fabrics with tuck stitches 3
The latest Gimp update 2023: Threshold in version 2.10.34 is now disabled by default. To activate it or to add other tools ie curves to the tool menu, go to Gimp, Settings, and select Toolbox. In the Tools Configuration Window, active tools have a common icon to their left, new ones may be selected and … Continue reading Gimp update for Mac 2
I created large-scale nonrepetitive image garments very early in my knitting career using Cochenille Bitknitter and Commodore computers linked to a Passap E6000. Over time my focus changed considerably, with any production knitting moving onto accessories as I began to make items for sale in galleries and in shows, most often single-bed on a Brother … Continue reading My first non repetitive DBJ explorations on 930
WORK IN PROGRESS In the FB machine knitting groups questions about tuck-lace trims have once again surfaced with regards to their design and use as edge finishes or decorative details. Some automated potential details have been covered in previous posts “Crochet” meets machine knitting techniques: tuck lace trims (and fabrics 1) Tuck lace trims (and … Continue reading Tuck trims 4 and other edgings